Updated on Tuesday, March 31, 2009 at 10:54AM by
Bob & Brenna Redpath
I’m sitting in a spotting session. That’s where the producer or director or picture editor or production assistant or janitor, if he has anything to add, tells me how their television show is supposed to sound. Things like, “When she fires the gun, we need to hear a good gunshot,” or “As he closes the door, make sure we hear the sound of a good door close.” They always preface whatever sound note they're giving with "good," as if my first choice would be to go to the really crappy door close or completely inadequate gunshot. If these things sound obvious to you, you’re overqualified to be
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